Loop-based audio sequencer integrates recorder, rhythm machine, and pad sampler.Manual play or step entry of rhythm patterns with adjustable quantization.Storage for 100 user-created rhythm patterns of up to 100 bars each.Rhythm machine with 160 drum and percussion sounds.8-voice pad sampler with adjustable sensitivity.Variable playback speed from 50% to 150%, without affecting pitch.Loop playback with waveform zoom and user-defined start/stop points.Flexible overdubbing and both manual and automatic punch-in/out.Internal track bouncing and mixdown of multitrack to stereo.Independent level, pan, and EQ for each track.User editing of effects parameters, with 370 patch memories for storage.Over 140 send-return and insert DSP effects, including amp/preamp models and mastering algorithms.Control input for foot switch start/stop/rewind, punch-in/out, and patch up/down.Headphone output with dedicated volume control.Dual mic/line/instrument level inputs on XLR/TRS combo connectors.Records 16-bit/24-bit, 44.1 kHz/48 kHz mono and stereo WAV files. Records directly to SD and SDHC cards up to 32 GB.8-track playback, 2-track simultaneous recording.Using SD media for recording ensures increased reliability and means that you never have to be concerned about hard drive failure. The R8 records directly to SD cards, with support for both standard SD and SDHC cards up to 32 gigabytes, for a maximum of 100 track hours. The R8 can also be powered via USB when connected to a computer. Alternatively, you can use the included AD-17 AC adapter, which allows you to power the R8 from any standard wall socket. Battery life when using alkaline batteries is more than 5 hours, even during continuous recording. Just 4 AA batteries-either alkaline or rechargeable NiMH-are required for power. When operating at a sampling frequency of 44.1kHz, input signal can be routed through the R8's onboard DSP effects. Effects can be applied during recording and mixdown, or can be used for playback only.Ī USB port allows the R8 to send and receive digital data and to act as an 2-input/2-output interface for DAWs. In addition, there are guitar amp, bass amp, and mic preamp models and effects specially designed for use on vocals and stereo instruments such as electronic keyboards, plus mastering algorithms like multi-band compression. These include insert effects such as equalization/dynamics processing and send-return effects such as reverb and chorus/delay. Over 140 studio-quality DSP effects are provided. There are also dual balanced ¼" TRS output jacks and a headphone output with a dedicated volume control. Phantom power of +24 or +48 volts can be applied to both inputs, allowing the use of external condenser microphones. Both can handle mic- and line-level signals, and Input 1 can also handle instrument-level signals from passive or active electric guitars and basses. The R8 provides dual inputs on combo connectors which can accept either XLR or ¼" balanced or unbalanced cables.
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