Saarinen was recruited by his friend, who was also an architect, to join the military service in the Office of Strategic Services (OSS). He became a naturalized citizen of the U.S. Subsequently, he toured Europe and North Africa for a year and returned for a year to his native Finland, after which he returned to Cranbrook to work for his father and teach at the academy. He then went on to study at the Yale School of Architecture, completing his studies in 1934. He had a close relationship with fellow students Charles and Ray Eames, and became good friends with Florence Knoll (née Schust).īeginning in September 1929, he studied sculpture at the Académie de la Grande Chaumière in Paris, France. He grew up in Bloomfield Hills, Michigan, where his father was a teacher at the Cranbrook Academy of Art and he took courses in sculpture and furniture design there. Saarinen emigrated to the United States of America in 1923 at the age of thirteen. Suomen Kuvalehti 40/2006Įero Saarinen (Finnish pronunciation: ) (Aug– September 1, 1961) was a Finnish American architect and industrial designer of the 20th century famous for varying his style according to the demands of the project: simple, sweeping, arching structural curves or machine-like rationalism.Įero Sarinen shared the same birthday as his father, Eliel Saarinen. Yhdysvaltain kansalaisuuden Saarinen oli saanut vuonna 1940. Itsenäisen arkkitehdin ura kesti siis kuitenkin vain kymmenisen vuotta, kun hän kuoli jo 51-vuotiaana. Vuonna 1950 hän perusti oman arkkitehtitoimiston. Vuonna 1938 Saarinen meni työskentelemään isänsä toimistoon ja työskenteli siellä aina tämän kuolemaan saakka. Palattuaan Euroopasta hän toimi jonkin aikaa opettajana eräässä taideakatemiassa. Valmistuttuaan arkkitehdiksi Saarinen matkusti Euroopassa ja osallistui eri projekteihin ja kilpailuihin. Hän opiskeli lyhyen aikaa myös kuvanveistoa Pariisissa. Arkkitehdiksi hän valmistui vuonna 1934 Yhdysvalloissa Yalen yliopistosta. Saaristen perhe muutti pysyvästi Yhdysvaltoihin Eeron ollessa 13-vuotias. Hvitträskissä syntynyt Eero Saarinen vietti pienestä pitäen paljon aikaa isänsä, arkkitehti Eliel Saarisen ateljeessa. ![]() Hän loi näyttävän uran arkkitehtina ja huonekalusuunnittelijana. And in his home state of Michigan, the GM Tech Center.Īrkkitehtimuseon kirjoitus "Eero Saarinen ja Helsinki" He’d design buildings at various campuses of prestigious universities, one being the MIT Chapel. Louis, TWA Flight Center at JFK, as well as the main terminal at the Washington Dulles International Airport. His works include but, by no means, are limited to The Gateway Arch in St. If not in Finland, Saarinen is considered to be one of the masters of American 20th century architecture, making it to the cover of the Time Magazine. ![]() ![]() In Finland, he is (arguably) second to his father Eliel Saarinen only. It would be as if every writer had a board with paragraphs of other writers-'Oh, I'll take a little bit of this, and that, he was really good.' Yes, he was really good! And that is not a mood board, it is a stealing board."Īs for the sort of design I'm personally interested in, full disclaimer.Eero Saarinen is, outside of Finland, the most prominent Finnish architect of all times. I suppose they think a sense of discovery equals invention. Don't even get me started on tumblr and pinterest.Īs Fran Lebowitz said, "Designers now, they all have these things called mood boards. Historical knowledge is so fugitive in the New World, with everything so decontextualized in the rapid flow of commodities and images. We no longer know where our styles, tastes or objects really come from, and this damages our creativity and sense of meaning. Design's socio-historical context-that is, the constraints and influences on the way we make objects, dwellings and cities-seems too often ignored. This blog is a long, somewhat messy photo essay on the history and politics of design.
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